Mazas: Phrase 6 (Copy)

PHRASE 6

MEASURES 37-44 / 45-52

This is our first double-stops phrase! Take the time to practice slowly and learn how each double-stop sounds when it is in tune, as well as how the upper and lower voices sound individually. This will help you move seamlessly between them, forming an in-tune melody.

The first 4 measures of the phrase are forte, embodying a grand and confident character. Relax and sink in with the bow to scoop out each note. Watch for the 3 separate bows in the third measure.

The second half of the phrase is piano, presenting a gentler and more carefree version of similar music. Use less bow and lighten up the stroke. Watch for the up-up-up bowing in the third measure, and vibrate the final half note of the phrase.

General Practice Methods:

1. Practice toggling back and forth between each double-stop so you can move and land precisely.

2. To hear these double-stops melodically, practice placing your fingers on both strings but play the bow only on one string at a time to hear the moving line of notes.

3. Use Double Stop Bow exercises A to find balance on our string levels and exercise B to practice the levels and articulation for this phrase.

4. Use Double Stop Left Hand exercises A, B, and C to work on tuning this passage.

Phase 1 of Practice – Slow and Simple:

1. Begin practicing on the string with separate bows.

2. Practice one line at a time.

3. Practice toggling between sets of double-stops.

4. Vibrate longer note values.

Phase 2 of Practice – Adding Articulation and Speed:

1. Add in the bowings and articulations.

2. Continue doing the toggling and one-line practice methods.

3. Begin speeding up the whole phrase with a metronome. Perfect one measure at a time at this quicker tempo, and then string them together until you can play the full phrase at one speed without stopping.

Breaking Down the Phrase & Reference Guide to Previous Exercises:

Measure 37:

• Forte version of the idea.

• Practice placing your third finger exactly between the G and D strings to play the blocked 5th.

Measure 38:

• With this open hand frame, be sure to reach far enough to play the 4th finger A in tune. Do not let your wrist stick out – it will make the 4th finger feel even farther away.

Measure 39:

• While you play the open C string, shift to third position and place the hand frame.

• The 3 notes after the open C are separate bows.

Measure 40:

• Play a light full bow on the downbeat to make space for the following up-bows. Diminuendo through these notes.

Measure 41:

• Piano version of the idea.

Measure 43:

• While you play the open C string, shift to third position and place the hand frame.

• After the open C string, play the next 3 notes up-up-up.

Measure 44:

• Vibrate these longer notes if you can.